Teseum

Reeks van Reliekbeelden

 

The fact that precious metalwork from the Low Countries was of the very highest quality is demonstrated by the spectacular treasury of the Teseum in Tongeren. You'll find numerous masterpieces there! Including the ensemble of fourteen reliquary statues.

Reeks van Reliekbeelden

Teseum

The Teseum is a lively location where you can discover Belgium’s first city through archaeological finds, a historical monument and an extensive religious art collection. It covers 2,000 years of history, from the Romans to the present day. The treasury of Onze-Lieve-Vrouwebasiliek houses one of the largest and richest art treasures in the Low Countries and consists of precious liturgical objects, reliquaries, textiles and manuscripts. An archaeological site was uncovered 3 m below floor level beneath the Vrijthof and in Onze-Lieve-Vrouwebasiliek. The belfry tower has been a feature looking out over the Haspengouw landscape for centuries and has been on the Unesco World Heritage List since 1999.

Series of Reliquary Statues

The collection of fourteen reliquary statues is regarded as one of the most valuable artefacts in Flanders. Although they originate from different periods, they are a coherent ensemble, with images from the entire 15th and early 16th centuries. Their style ranges from pre-Eyckian to Renaissance. Each statue contains a relic, i.e. the remains of a saint. Sometimes they are incorporated into the sculpture or pedestal, sometimes in a cylinder on or next to the sculpture. Six reliquaries are depicted together with other reliquaries on a 1516 printed pilgrimage souvenir. Pilgrims could purchase these prints as a memento and as proof of which relics they had witnessed with their own eyes. The reliquary statues are still carried along in the procession during the seven-year Coronation Celebrations.

Tongeren Godfried Hufkens Koorkapgesp

Choir Cope Clasp - Godfried Hufkens (ca. 1450)

Mary and the infant Jesus are depicted at the centre underneath a canopy. On the right the donor, Joannes Cleinjans, dressed in a canon robe kneels before Mary and Jesus. The scene on the left shows an angel with the donor's coat of arms and an eagle. The following inscription can be seen above the donor: “Miserere Mei“ (Have mercy on me) The wide border reads “Ave gratia plena” (Hail, full of grace). The name “Joannes Cleinjans canonicus” is engraved on the pedestal. In total, the Teseum exhibits a series of eleven choir cope clasps.

Tongeren Anoniem Processiekruis

Processional Cross - Anonymous

This silver processional cross, which is more than six hundred years old, is still carried along in the processions in Tongeren. Jesus’ posture elicits pity: his head is resting diagonally on his right shoulder and his entire body, as well as the loincloth, are particularly expressive. The four extremities of the cross are adorned with the symbols of the four evangelists: at the top the eagle of John, on the left the lion of Mark, on the right the ox of Luke, and the angel at the bottom represents Matthew. At the bottom, the six niches on the trunk of the cross all contain a statue of a saint. One of them is the Tongeren bishop Maternus, who is depicted to the left of the central figure. Maternus is also thought to have been a bishop in Trier and Cologne, hence the three churches he is holding in his hand.

Tongeren Hendrik van Tongeren Reliekbuste van de Heilige Pinosa
Tongeren Anoniem Reliekbuste van de Heilige Olivia

Reliquary Bust of Saint Pinosa - Hendrik van Tongeren (ca.1400)

Saint Pinosa is depicted as a young woman with her hair pinned up and a crown decorated with a cross and crystals. She is wearing a high-fitting gold dress with embellishments on the edges and a crystal at the centre. The bust stands on a six-sided pedestal with the inscription: “Caput S. Pynosa" (head of Saint Pinosa). Pinosa was one of the 11,000 virgins who were murdered along with Saint Ursula in 383.

Reliquary Bust of Saint Olivia - Anonymous

Saint Olivia is represented as a young woman with shoulder length curly hair. She is wearing a gold coloured robe with a round neck, decorative border and a crystal at the centre. The bust stands on a six-sided pedestal with the inscription: “Caput S. Olivia" (head of Saint Olivia). The bust contains her skull. Olivia was one of the 11,000 virgins who were murdered along with Saint Ursula in 383.

Tongeren Anoniem Reliektriptiek met de sluier van Onze-Lieve-Vrouw

Reliquary Triptych With the Veil of Our Lady - Anonymous

This triptych is very special to the Marian city of Tongeren. For centuries, this local relic, which consists of a rectangular fragment of Mary’s veil, has been venerated and carried along in processions. On the triptych, two angels present it as a white surface - it looks like an abstract painting - but the actual piece of veil is incorporated into a larger canvas, a kind of collage. The collage canvas was nailed to the centre panel of the triptych, which was usually kept closed. This triptych is also of great significance to art history. The painting on the inside of the two shutters dates from around 1400, which is even before the brothers Jan and Hubert van Eyck. Very few examples of this pre-Eyckian art, as it is commonly referred to, survived in these regions. This one originates from the Meuse region, where the Van Eycks also originated from. On view is the Annunciation, the moment when the archangel Gabriel informs Mary that she will become the mother of the son of God. The banderole inscription in Latin reads: “Hail Mary, full of grace, the Lord is with thee,” the start of the Hail Mary prayer. Above Mary who is saying a prayer, God the Father is sending the Holy Spirit to Mary in the shape of a dove.

Een houten beschilderd schrijn

Reliquary of Remaclus

In the past 100 years, this wooden painted relic shrine was carried in the procession through the streets of Tongeren for the Kroningsfeesten or Coronation Festivities. This masterpiece is now displayed in the Teseum. It contains a relic of Saint Remaclus (600-873), a bishop of Maastricht, who for centuries was venerated in Stavelot and in and around Belgium’s oldest city. According to legend, Remaclus met Saint Trudo, the patron saint of Sint-Truiden, spiritually adopting him.
At one time, the shrine must have been completely covered in gilt. The archives do not provide any information about who painted it. However, the anonymous painter was definitely a talented artist who was comfortable working on a smaller scale. The remaining paintwork is delicately drawn, as evidenced in the faces and clothing of those portrayed. Christ is depicted enthroned on the short side, as the man who bears all the sins of the world. A worried Virgin Mary with the Christ Child can be seen on the opposite side. Peter is portrayed on one of the long sides, holding his enormous key in his right hand, flanked by two Church Fathers, i.e., Saint Gregory and Saint Jerome. Paul is depicted on the other, with his sword, flanked by two other Church Fathers, namely Saint Ambrose and Saint Augustine.
The reliquary must have been on display for many years, perhaps even centuries, in the church of Lierneux, a town between Liège and Bastogne. Later the dean of Verviers gifted it to the dean of the Basilica of Tongeren in 1896. At the time, the shrine contained relics of Saint Symère. Later these were replaced with the relics of Saint Remaclus, which had been preserved in the basilica for many centuries. 
 

Practical information

Address

Vrijthof
3700 Tongeren
Belgium
View directions

Opening hours

  • Open Tuesday to Sunday from 10.00 to 17.00 hrs.

Accessibility

  • The treasury and cloister are easily accessible to people with disabilities.

  • The archaeological site is not easily accessible to people with disabilities.

Good to know

  • Admission: € 6.00 standard rate

Any questions?

Other sites nearby

Begijnhofmuseum Beghina in Tongeren
Take your time to make your way to this Unesco World Heritage Site and discover the ancient Shrine of Saint Catherine.
Sint-Martinuskerk Berg
The oldest church in Berg is a perfect example of Romanesque architecture. Take time to pay a visit to admire the restored architecture and the artwork inside.