Genk used to be a true painter's village. At the end of the 19th century the most prominent Belgian landscape painters and landscape painters from far beyond descended on Genk to capture the desolate landscape. You can still discover these special locations today.
Flowering Sweet Gale - Emile Van Doren (1865-1949)
Born in 1865, Emile Van Doren grew up in Brussels, not far from the Onze-Lieve-Vrouw-Ter-Kapellekerk (Church of Our Lady of the Chapel). He first beheld the beauty of the Kempen landscape in 1890, following a visit to Genk, which was favoured by artists because of its particularly picturesque landscape. Van Doren even maintained that Genk was made for painting, a statement that would define the rest of his life. He moved to Genk where he met his wife, Cidonie Raikem. Totally fascinated by the beautiful landscape, it is always the focal point of his oeuvre. The Flowering Sweet Gale also came about because of this. The rich colour palette combined with the distinct painting technique, shows the agility of the elements.
Portrait of Cidonie Raikem - Herman Richir (1866-1942)
Cidonie Raikem was an innkeeper in the Statiestraat in Genk. In 1898 she married Emile Van Doren and together they converted the inn into a Hôtel des Artistes (Artists’ Hotel), which was a meeting place where creativity was given free rein. Artists, writers and tourists came from near and far to stay there.
View of the mill pond - Joseph Coosemans
This painting by Joseph Coosemans shows the marshy landscape around the Molenvijver (mill pond) in 1891. The Kempen village of Genk and the often painted spire of Saint Martin's church are visible in the background. Just a stone’s throw from the museum, you can still recognize the location today.
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