The 115.5m high spire of the Church of Our Lady in Bruges shows the craftsmanship of its builders, as it is the second highest brick tower in the world. Once visitors step inside the church, they can explore the rich art collection.
Grave monument to Mary of Burgundy and Charles the Bold
Mary of Burgundy died on 27 March 1482 in Bruges after a hunting accident. She was then only 25 years old. Her husband, Holy Roman Emperor Maximilian I had a grave monument erected for his beloved wife. In accordance with her last wishes, Mary of Burgundy was buried at the centre of the sanctuary in the Church of Our Lady. She is shown as lying on her tomb, with her crowned head resting on a pillow and two dogs by her feet to symbolise her loyalty to her husband. She holds both hands up in prayer. The grave monument for Charles the Bold, Mary of Burgundy’s father, was designed by Jacques Jonghelinck and erected next to Mary’s in 1563. Charles the Bold had died in 1477 at the Battle of Nancy, but he got a proper grave only around 70 years later. Hence why it is partly in Renaissance style, in line with 16th-century fashion.
Passion Triptych - Bernard van Orley and Marcus Gheeraerts
Bernard van Orley (c. 1488-1541) started this altarpiece and Marcus Gheeraerts the Elder (1521-1587) finished it. At the centre, it depicts Christ on the Cross while the panels on the sides show the Flagellation, the Stations of the Cross, the descent into Limbo and the Lamentation respectively. The altarpiece was commissioned in 1532 by Mary of Hungary for the grave chapel of her aunt Margaret of Austria and her second husband Filibert II, Duke of Savoye. But Bernard van Orley died in 1542 with the work unfinished. However, when Charles the Bold’s remains were moved to Bruges, it was decided to ask Gheeraerts to finish Van Orley’s triptych and Margaret of Parma had it transferred to the sanctuary in the church.
Practical information
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